

He has a finely tuned sense of black humour and loves to make films for the sheer outrage that will result – see The Idiots (1998), a black comedy about people who pretend to be mentally handicapped, or his delve into US slavery in Manderlay (2006). The Danish von Trier is one of cinema’s constant tricksters.

For the better part of a decade now, whenever someone has asked me the question “who is the best director in the world?” I have always nominated Lars von Trier (at least among living directors).
